Ilustração para a revista Odisséia de Manuela Eichner
COLAGEM
Alongamento com gato e cavalo
Colagem feita para leilão beneficente para produção da peça Brutal de Mario Bortolotto (2009)
GRAVURA
Serigrafia / Screenprinting (2009)
Gravura desenvolvida para o Estúdio Elástico, na série 5X5, cinco artistas com cinco cores.
Engraving developed for Estúdio Elástico. "5X5" series, five artists with five colors.
S/Título / Untitled
Gravura desenvolvida para o Estúdio Elástico, na série 5X5, cinco artistas com cinco cores.
Engraving developed for Estúdio Elástico. "5X5" series, five artists with five colors.
S/Título / Untitled BORDADO
Felt Delft (2009)
Jarras de vidro forradas com feltro industrial / Glass jugs covered with industrial felt
Cesta de Frutas - Barco Holandês - Menina com Monstro Marinho
Fruit Basket - Dutch Boat - Girl with Sea Creature
Jarras de vidro forradas com feltro industrial / Glass jugs covered with industrial felt
Cesta de Frutas - Barco Holandês - Menina com Monstro Marinho Fruit Basket - Dutch Boat - Girl with Sea Creature
COLAGEM
Victimes de Paris / Victims of Paris (2009)
Baronne Dellard, 1891
Marie Aguétant, 1886
Marie Regnault, 1887
Tronc de Femme, 1899
Corps de Delahäef, 1896
Baronne Dellard, 1891
Marie Aguétant, 1886
Marie Regnault, 1887
Tronc de Femme, 1899
Corps de Delahäef, 1896ADESIVOS
Falsa Marchetaria / Fake Marquetry (2008)
Americaninhos / Little Glasses
Carmen de Mármore / Carmen of Marble
Galo no Cavalo / Cock on the Horse
Gatos no Armário / Cats in the Wardrobe
Gatos no Parquinho / Cats on the Playground
Americaninhos / Little Glasses
Carmen de Mármore / Carmen of Marble
Galo no Cavalo / Cock on the Horse
Gatos no Armário / Cats in the Wardrobe
Gatos no Parquinho / Cats on the PlaygroundBORDADO (2008)
Baile de Cavalos (Antiga Faixa de Tecido para Anágua Bordada)Horses´s Ball (Embroidered Vintage Fabric for Petticoat)
Baile de Galos (Antiga Faixa de Tecido para Anágua Bordada)Cocks´s Ball (Embroidered Vintage Fabric for Petticoat)
Cavalo na Árvore - Peixe e Pássaro - Cavalo e PatinhoHorse Over the Tree - Fish and Bird - Horse and Little Duck
BORDADO (2007)
Jaqueta Jeans para Cauê VM / Jeans Jacket for Cauê VM
Paletó Bordado para Daniel Athayde / Embroidered Jacket for Daniel AthaydeNOVA JOIA 2007
A partir da proposta de joalheria contemporânea das curadoras Bettina Terepins e Mirla Fernandes, onde o objetivo das produções deveria ser uma reflexão a respeito da joalheria e seus valores agregados, além do uso do metal e das pedras preciosas. Para essa exposição, foquei na ideia de luxo e riqueza na história da minha vida, por ter sido educada numa família de contracultura, minhas referências de luxo eram as casas das famílias tradicionais de São Paulo, com seus papéis de parede e bibelôs, cortinas e borlas. Na criação das nove peças expostas, procurei relatar essa referência, com o uso de lenços falsificados das marcas Louis Vuitton e Versace, pérolas de tecido e os bibelôs convertidos em peças de resina colorida, uma leitura dos olhos de uma criança tratada com a palheta de cores do artista Andy Warhol. A ironia aqui se apresentou pela popularização dos ícones de luxo de minha infância, a falsificação, que popularizou artigos exclusivos e a resina, fazendo o papel do plástico, dos brinquedos baratos. No uso da cartela de cores de Andy Warhol uma retificação deste processo de popularização. Esse tipo de joia a que me refiro discute vários temas.
"A joia pode revisitar sua própria história, repensar a época dos ornamentos, da tradição, do uso para diferenciação de posições sociais ou sexuais, da época das funções mágico-religiosas. Pode ser o palco para tratar da relação do homem e sua propriocepção, da sensibilidade, do tato, sua relação com o corpo. Pode ser auto-referente e discutir seus próprios meios, o brilho, o reflexo dos metais, o peso, a dureza de materiais..." (Mirla Fernandes)
"A joia pode revisitar sua própria história, repensar a época dos ornamentos, da tradição, do uso para diferenciação de posições sociais ou sexuais, da época das funções mágico-religiosas. Pode ser o palco para tratar da relação do homem e sua propriocepção, da sensibilidade, do tato, sua relação com o corpo. Pode ser auto-referente e discutir seus próprios meios, o brilho, o reflexo dos metais, o peso, a dureza de materiais..." (Mirla Fernandes)
Medalha Leão / Lion Medal
Pérolas + Cavalos - Corrida de Jaguares / Pearls + Horses - Jaguar Race
Pérolas + Cavalos / Pearls + Horses
Pérolas + Louis Vuitton / Pearls + Louis Vuitton
Versace / VersaceNew Jewelry 2007
It has all began with curators Bettina Terepins and Mirla Fernandes’ s idea of contemporary jewelry, for whom the aim of each production should be a reflection about jewel and its attached values, besides using metal and stones. For this exhibit, I have concentrated efforts on the idea of luxury and wealth in my family history. Being raised inside a counter-culture family, my‘de luxe’ references were traditional São Paulo families’ homes, with their wall-papers and trinkets, curtains and pompoms. For the creation of nine pieces, I have tried to show such references, using fake scarfs by Louis Vuitton and Versace, cloth pearls and trinkets transformed into colourful plastic pieces. A childish view with Andy Warhol colours. Irony here was presented by the popularization of fancy icons from my childhood: falsification creating popularization of exclusive articles and plastic playing the role of cheap toys. By using Warhol colours, I have tried to redirect such process of popularization.
“This kind of jewelry I am referring to discusses several issues. The jewel might revisit its own history, think over again the age of ornament, of tradition, of different uses for different social or sex positions, the age of magic-religious functions. It might by the stage for the relation between man and his own perception, of sensibility, touch, his body. It might also be self-referred and discuss its own means, brightness, metal glistening, weight and hardness of materials...” (Mirla Fernandes)
It has all began with curators Bettina Terepins and Mirla Fernandes’ s idea of contemporary jewelry, for whom the aim of each production should be a reflection about jewel and its attached values, besides using metal and stones. For this exhibit, I have concentrated efforts on the idea of luxury and wealth in my family history. Being raised inside a counter-culture family, my‘de luxe’ references were traditional São Paulo families’ homes, with their wall-papers and trinkets, curtains and pompoms. For the creation of nine pieces, I have tried to show such references, using fake scarfs by Louis Vuitton and Versace, cloth pearls and trinkets transformed into colourful plastic pieces. A childish view with Andy Warhol colours. Irony here was presented by the popularization of fancy icons from my childhood: falsification creating popularization of exclusive articles and plastic playing the role of cheap toys. By using Warhol colours, I have tried to redirect such process of popularization.
“This kind of jewelry I am referring to discusses several issues. The jewel might revisit its own history, think over again the age of ornament, of tradition, of different uses for different social or sex positions, the age of magic-religious functions. It might by the stage for the relation between man and his own perception, of sensibility, touch, his body. It might also be self-referred and discuss its own means, brightness, metal glistening, weight and hardness of materials...” (Mirla Fernandes)
MODELAGEM . Releituras de Viktor e Rolf: 4 Cenas de Paralisia (2006)
No trabalho de graduação no curso de moda, do Centro Universitário Senac, na proposta para os alunos da habilitação em modelagem, havia a opção em reconstruir cinco looks de um estilista a partir de fotos, ou fazer a releitura criativa de um estilista escolhido pelo aluno. Com segunda opção, pesquisei o trabalho dos estilistas holandeses Viktor e Rolf, com o foco em sua simbiose arte-moda. Com amparo no conceito de Hipermodernidade do filósofo francês Gilles Lipovetski, selecionei o indivíduo e suas angústias, entre o empreendedorismo e a condição de ócio, daí o conceito de paralisia, expressos por quatro looks que buscaram reproduzir performances congeladas. Para a construção destas roupas, utilizei o feltro de lã normalmente utilizado na construção civil, para isolamento térmico e acústico, que tratado com as técnicas de chapelaria e alfaiataria artesanal, fixaram-se nas formas do corpo, reproduzindo o movimento de embate entre forças coexistentes e vontades duais.
Baralho / Playing Card 
Espiral / Spiral 
Dos Meus Teus Braços / Of Mine, Thine Arms
Dos Meus Teus Braços / Of Mine, Thine ArmsViktor & Rolf Revisited: 4 Scenes of Paralysis (2006)
For my graduation work on Fashion, at Senac University, for the students whose major was Pattern, there were two options: remaking of 5 looks created by some famous designer, from photos, or else doing a creative reading of a designer of choice. Having chosen the latter, I researched the Dutch designers Viktor & Rolf, concentrating on their symbiosis of art and fashion. Holding back to French philosopher Gilles Lipovetsky’s concept of Hypermodernity, I have decided to work on a “man and his miseries” subject, something in between the entrepreneurism and a leisure condition, therefore, the concept of paralysis, expressed by 4 looks trying to reproduce frozen performances. The clothes were made on wool felt, usually a building material, providing thermic and acustic isolation, here treated with headgear techniques and traditional handmade tailoring, in order to take body forms, reproducing the movement of opposing forces and dual wishes.
For my graduation work on Fashion, at Senac University, for the students whose major was Pattern, there were two options: remaking of 5 looks created by some famous designer, from photos, or else doing a creative reading of a designer of choice. Having chosen the latter, I researched the Dutch designers Viktor & Rolf, concentrating on their symbiosis of art and fashion. Holding back to French philosopher Gilles Lipovetsky’s concept of Hypermodernity, I have decided to work on a “man and his miseries” subject, something in between the entrepreneurism and a leisure condition, therefore, the concept of paralysis, expressed by 4 looks trying to reproduce frozen performances. The clothes were made on wool felt, usually a building material, providing thermic and acustic isolation, here treated with headgear techniques and traditional handmade tailoring, in order to take body forms, reproducing the movement of opposing forces and dual wishes.
JOIAS 2000/01
O trabalho de joalheria foi iniciado em 1997, a intenção era procurar novos pontos de vista nas peças, essencialmente anéis, onde procurei romper com a ideia de anel com o aro como suporte de alguma outra peça, integrando aro e topo em uma única forma, assim, explorei os apoios possíveis nas mãos, nos dedos e ainda assim, uma peça que pudesse ser observada fora deles, como uma escultura.
Anel Asa: Titânio + Ouro + Prata / Wing Ring: Titanium + Gold + Silver
Anel Looping: Prata + Citrino / Looping Ring: Silver + Citrine
Anel Fruta Carambola: Prata + Citrino / Fruit Ring: Silver + Citrine
Anel Fruta Uvas: Prata + Turmalinas / Fruit Ring: Silver + Turmalines
Anel Beijo Infinito: Prata + Rubis / Infinite Kiss Ring: Silver + Rubis
Anel Primeiro Beijo: Prata + Banho de Ouro / First Kiss Ring: Silver + Gold PlateJewelry 2000/01
Back in 1997, my intention was to search for new points of view in my pieces, essentially rings, where I have tried to break up with the idea of ring as a supporting base for some other piece, integrating ring and top in a single form, so I could explore different possible supports in hand, fingers and even so to develop a piece likely to be seen from the outside, as a sculpture.
Back in 1997, my intention was to search for new points of view in my pieces, essentially rings, where I have tried to break up with the idea of ring as a supporting base for some other piece, integrating ring and top in a single form, so I could explore different possible supports in hand, fingers and even so to develop a piece likely to be seen from the outside, as a sculpture.
JOIAS 2002
Anéis Cone Solitário: Prata + Diamante / Solitary Cone Rings : Silver + Diamond
Brincos Cone: Prata Polida + Oxidada - Prata + Banho de Ouro Cone Earrings: Polished + Oxidated Silver - Silver + Gold Plated
Anéis Cone Solitário: Prata + Diamante / Solitary Cone Rings : Silver + Diamond
Anéis Estrutura: Prata + Cobre / Structure Rings: Silver + Copper
Broche Estrutura: Prata + Peridoto / Structure Brooch: Silver + Peridote
Brinco Estrutura: Prata + Cobre / Structure Earring: Silver + Copper
Anéis Cubo: Prata + Turquesa - Prata + Água-Marinha - Prata + Cobre + Ouro Cube Rings: Silver + Tuquoise - Silver + Aquamarine - Silver + Copper + Gold
Anéis Espiral: Prata Polida + Oxidada - Prata + Citrino - PrataSpiral Rings: Polished + Oxidated Silver - Silver + Citrine - Silver
Anel Asa: Prata / Wing Ring: SilverSalas, uma pausa no tempo, uma música, pequeno lugar para instalar sensações
Rooms, a pause in time, a music, small place to install sensations
Salas Estruturas (20x20 cm) com Móbile Brinco Structures Rooms (7,87x7,87 in) with Calder’s Mobile Earing
Salas Bar (20x20 cm) com Anel MesaLounges (7,87x7,87 in) with Table Ring
Salas Bar (20x20 cm) com Anel MesaLounges (7,87x7,87 in) with Table Ring
JOIAS 2003
Três Anéis “Se Eu Fosse o Philippe Starck” (Prata)Three “If I Were Philippe Starck” Rings (Silver)
Anel Encontro (Prata + Diamante Negro + Diamante)Meeting Ring (Silver + Black and White Diamond)
Anel Encontro (Prata + Diamante Negro + Diamante)Meeting Ring (Silver + Black and White Diamond)
Anel Encontro (Prata + Diamante Negro + Diamante)Meeting Ring (Silver + Black and White Diamond)
Anel Encontro (Prata + Diamante Negro + Diamante)Meeting Ring (Silver + Black and White Diamond)
Anel Encontro (Prata + Diamante Negro + Diamante)Meeting Ring (Silver + Black and White Diamond)
Anel Encontro (Prata + Diamante Negro + Diamante)Meeting Ring (Silver + Black and White Diamond)
Assinar:
Postagens (Atom)
